Ethnosymbolism in Connecting the Dots

Floor Paintings Across India

Authors

  • Shraddha Jha Research Scholar, Ph.D., Dr. Babasaheb Ambedkar Open University.
  • Ami Upadhyay Vice-Chancellor & Director, Babasaheb Ambedkar Open University.

Keywords:

Culture, Ethnosymbolism, Floor Painting, Multidisciplinary, Mythology

Abstract

The art of floor painting evolved over time as materials and influences changed. Rangoli in Gujarat and Maharashtra, Mandana in Rajasthan, Alpana in West Bengal, Chowk in Uttar Pradesh, Kolam in Tamil Nadu, Kalam Ezhuthu in Kerela, Aipan in Uttarakhand, Aripana in Bihar, Pakhamba in Manipur, Jinnuti in Odisha, Sathiya in Gujarat, Likhnu in Himachal Pradesh, etc. are some of the floor paintings found in different states of India.
                            The purpose of this research study is to have a better understanding of the meaning and significance of diverse floor paintings. Additionally, emphasis will be placed on the symbols and motifs that are utilized in them in order to evaluate their meaning and importance, and lastly, the study will aid in understanding the relationship between each floor painting and mythical stories as well as culture.

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Published

2023-06-28

How to Cite

Jha, S., & Upadhyay, A. (2023). Ethnosymbolism in Connecting the Dots: Floor Paintings Across India. Studies in Humanities and Social Sciences (SH&Amp;SS), 30(1), 16–24. Retrieved from http://14.139.58.200/ojs/index.php/shss/article/view/1503